Henry Holiday's working drawing for "The Landing" from "The Hunting of the Snark" by Lewis Carroll (1876) was presumably intended for his eyes only...

...but the Bellman's penis is finely detailed.

"Just the place for a Snark!" the Bellman cried,
   As he landed his crew with care;
Supporting each man on the top of the tide
   By a finger entwined in his hair.

Picasso submitted this pencil drawing of a heavy-thighed man to enter the Barcelona School of Fine Arts in 1895 when he was14.

A jovial minotaur and man in Picasso's 1933 "Bacchanale" share a post-coital drink.

The penis is drawn very simply.

John Singer Sargent (1856 – 1925)
may have detailed his model's
meatus peeping through the
preputial sphincter

Despite the roughness
of the stone, Adam's
foreskin and
acroposthion are
clearly visible.

"Adam and Eve" by Eric Gill (1882-1940)

Although Gill's dancers are
stylised and attenuated, the
man's penis and foreskin
are realistic and detailed.

"Dancers" by Eric Gill

Dali often used
sexual themes
and phallic images,
but seldom showed
an actual penis.
This one clearly details
a prominent
acroposthion.

Salvador Dali (1904-1989), Enfant Sauterelle
(Grasshopper Child), 1933
Etching and drypoint, Wadsworth Athenaeum
Gift of David Austin

Keith thought that the omens at his birth were auspicious: "Apart from being a healthy baby it was observed that my penis possessed a loose and easily retractable foreskin which was not considered necessary to circumcise according to the custom of my class. For this piece of good fortune I have had many occasions to be grateful."

- "Keith Vaughan: his life and work" (1990)
by Malcolm Yorke
London: Constable, p24

M. C. Escher's intiguing etchings routinely show any nude males as intact, such as this Buddha-like figure (in Mosaic II, 1957) ...

... and not only the optimists emerging from this frieze (Encounter, 1944)

but also, as Escher's working drawings show, ...

... the pessimists.

"The New Adam" by Harold Stevenson is huge
(8' x 39', 2.44 m x 11.89 m)
wrapping around the viewer on nine panels.
The reference to Michaelangelo's is clear,
but this is no boy.
The model was Sal Mineo

David Hockney's 1967 illustration to C P Cavafy's poems stresses line, rather than shading, giving a flat look to the model's penis, though the sulcus and acroposthion are indicated.

Conversely Francisco Lòpez's 1973 nude torso is finely shaded, emphasising the penis' dorsal vein.

"Archilochos Alone"
by Michael Ayrton
(1921-1975)

"Poseidon's Gifts"
Poseidon's raphe and
acroposthion can be
clearly seen.

"Actor (Richard)", painted in 1979
by R. B. Kitaj, has a "peeper",
a shorter than average foreskin.

While the character of Gollum in the film of The Lord of the Rings is almost entirely computer-generated and wears a tiny loincloth that doesn't seem to hide much, oversized models were used by Weta Workshops to help make him so lifelike, and a picture of one in Cinefex magazine shows the artists conceived him as intact, as is a maquette of the Cave Troll in the Lord of the Rings exhibition - as of course they should be (but it wouldn't be so certain if they were made in the US).

Picture to come.

English artist John Carter
(1927-2004) takes
intactness for granted
in his Big Catch

This "Reclining Middle-Aged Man"
by John Willcocks
has a clearly delineated peeper.

Most of this sequence - the previous five pages - has been turned into a slide show with music.

Photographer Dylan Ricci
likes to partially
conceal his models'
faces and genitals.

Max Patte's oxidised steel
"Solace in the Wind" stands
on the Wellington, NZ, waterfront.
Though undetailed, his penis shows
a corona covered by a foreskin

"Redemption Song" by Laura Lacey stands 3.3m (11 feet) tall in Emancipation Park, Kingston, Jamaica.