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3. The Renaissance.
Thousands of statues and paintings featuring nude male figures - virtually all intact - were created during the Renaissance, when Christian diffidence gave way before ideals of classical beauty. This is only a small selection.
![]() | Tommaso Masaccio (Active ~1401 -1428) shows Adam's foreskin as short or partly retracted. ![]() |
Capella Brancacci, Chiesa del Carmine, Florence
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Leonardo da Vinci's "Vitruvian man" is much copied - though his intact penis is seldom shown clearly. |
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Again, in a few simple strokes, Leonardo indicates the corona, the acroposthion - and the assymetrical testicles. |
Leonardo da Vinci
A nude man standing facing the spectator
property of Her Majesty Queen Elizabeth II
(Royal Library at Windsor)
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One of the best known nude male images in the world. Michaelangelo's Adam is portrayed with a baby's penis - presumably to indicate his innocence. | As such, this is quite accurate - a baby's foreskin may extend far beyond the end of his glans. (The closeup was taken after the recent restoration.) |
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![]() One of the enigmatic male nudes (ignudi) on the Sistine Chapel ceiling. He is portrayed with a small adult penis. |
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![]() David's penis is relatively small, probably to avoid attracting attention, and following classical ideals. He is intact because:
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| ![]() Hercules by Vincenzo de' Rossi (1525-1587) |
Palazzo Vecchio, Florence
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![]() | Jacopo Pontormo, Vertumnus and Pomona, fresco in the Villa Medici, Poggio a Caiano (Florence), 1519 - 21 |
![]() | ![]() Allegory of the Victory of Honesty over Deceit by Vincenzo Danti (1530-76) |
Boboli Gardens, Florence
![]() | ![]() The cyclops' penis is boyish after the classical manner, with a long foreskin... |
![]() ...and a detailed acroposthion. (c.1597) |
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| Polyphemus and Acis | Polyphemus and Galatea | ||
| after Annibale Carracci (1560-1609) | |||
Biblioteca Ambrosiana
Milan
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