3. The Renaissance.
Thousands of statues and paintings featuring nude male figures - virtually all intact - were created during the Renaissance, when Christian diffidence gave way before ideals of classical beauty. This is only a small selection.
Capella Brancacci, Chiesa del Carmine, Florence
The Rape of Persephone (c.1502) by Pinturicchio (1454–1513)
Persephone/Proserpina, daughter of Demeter/Ceres, was carried of to the Underworld by Hades/Pluto.
The fresco is the more remarkable for being in a space devoted to Pope Pius II
vault of the Piccolomini Library, Duomo, Siena
Leonardo da Vinci's "Vitruvian man" is much copied - though his intact penis is seldom shown clearly.
Leonardo da Vinci
A nude man standing facing the spectator
property of Her Majesty Queen Elizabeth II
(Royal Library at Windsor)
One of the best known nude male images in the world. Michaelangelo's Adam is portrayed with a baby's penis - presumably to indicate his innocence.
As such, this is quite accurate - a baby's foreskin may extend far beyond the end of his glans. (The closeup was taken after the recent restoration.)
One of the enigmatic male nudes (ignudi) on the Sistine Chapel ceiling. He is portrayed with a small adult penis.
David's penis is relatively small, probably to avoid attracting attention (the viewers' eyes are level with his feet), and following classical ideals. He is intact because:
Hercules by Vincenzo de' Rossi
Palazzo Vecchio, Florence
Boboli Gardens, Florence
|Mercury, by Johann Gregor van der Schardt (c. 1570-80) has a flaring, detailed acroposthion.|
- the Getty Center
|The Fontana delle Tartarughe (Fountain of the Tortoises) in Piazza Mattei, Rome, was designed in 1581 by Giacomo della Porta, with bronze figures by Taddeo Landini. This replica was made in the early 20th century and installed in its present location, Huntington Park, San Francisco, in 1954.|
The cyclops' penis is boyish after the classical manner, with a long foreskin...
...and a detailed acroposthion. (c.1597)
Polyphemus and Acis
Polyphemus and Galatea
after Annibale Carracci (1560-1609)
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