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              Previous (post-Renaissance) 
              A Gallery of Intact Penises in Art
              5. Modern (post-photography)
               
               
                 
                 
              
                
                  
                    
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                         Henry Holiday's working drawing for "The Landing"
                          from "The Hunting of the Snark" by Lewis Carroll
                          (1876) was presumably intended for his eyes only...  
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                         ...but the Bellman's penis is finely detailed. 
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                         "Just the place for a Snark!" the Bellman cried, 
                               As he landed his crew with care; 
                            Supporting each man on the top of the tide 
                               By a finger entwined in his hair. 
                            
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                      Thomas
                          Eakins' 
                        photograph of 
                        his close friend 
                        Samuel Murray, 
                        ostensibly for 
                        artistic study. | 
                     
                  
                 
              
                
              
              
                
                  
                    
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                         Picasso submitted this pencil drawing of a
                          heavy-thighed man to enter the Barcelona School of
                          Fine Arts in 1895 when he was 14. 
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                         A jovial minotaur and man in Picasso's 1933
                          "Bacchanale" share a post-coital drink. 
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                         The penis is drawn very simply. 
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              Museum
                  of Modern Art, New York 
                
              
               
              
                
              
               
              John
Singer
                  Sargent  
                  "Nude Study of Thomas E. McKeller" (1917-1920) 
                  Museum of Fine Arts, Boston 
                  Henry H. and Zoe Oliver Sherman Fund 
                   
                 
              
               
              
               
              
              
                
                  
                    
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                        Despite the roughness 
                          of the stone, Adam's 
                          foreskin and 
                          acroposthion are 
                          clearly visible. 
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                         "Adam and Eve" by Eric Gill
                          (1882-1940) 
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                        Although Gill's dancers are 
                          stylised and attenuated, the 
                          man's penis and foreskin 
                          are realistic and detailed. 
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                         "Dancers" by Eric Gill 
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                         Dali often used  
                          sexual themes 
                          and phallic images, 
                          but seldom showed 
                          an actual penis. 
                          This one clearly details 
                          a prominent 
                          acroposthion. 
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                         Salvador Dali (1904-1989), Enfant Sauterelle 
                          (Grasshopper Child), 1933 
                          Etching and drypoint, Wadsworth Athenaeum 
                          Gift of David Austin 
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                        While Dali was not much interested in the details of
                        male anatomy (compared to, say, finger and toe joints),
                        Newton's  cursory penis is nonetheless complete. 
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                "Hommage a Newton" 1969, Espace Dali,
                  Montmartre 
              
              
                
              
                
                "Oedipus" (1933) 
                  by Keith Vaughan (1912-1977) 
              
               
              
              
                
                  
                    
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                         Keith
thought
                            that the omens at his birth were auspicious: "Apart
                            from being a healthy baby it was observed that my
                            penis possessed a loose and easily retractable
                            foreskin which was not considered necessary to
                            circumcise according to the custom of my class. For
                            this piece of good fortune I have had many occasions
                            to be grateful."  
                        - "Keith Vaughan: his life
                            and work" (1990) 
                            by Malcolm Yorke 
                            London: Constable, p24  
                        
                        
                        
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              Click on the images for larger 
                 
                  
                    
                        
                        Illustration to Genet's 'Querelle de
                          Brest'' 
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                        "Jeune Homme Nu" 
                          (He is clearly retracting his foreskin to wash
                            it, and he isn't complaining about the tedium of
                            that.) 
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               Jean Cocteau (1889-1963) 
                
                
                
                  
                    
                      
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                          M. C. Escher's intiguing etchings routinely show
                            any nude males as intact, such as this Buddha-like
                            figure (in Mosaic II, 1957) ... 
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                           ... and not only the optimists emerging from this
                            frieze (Encounter, 1944) 
                             
                           
                           
                           but also, as Escher's working drawings show, ... 
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                           ... the pessimists. 
                             
                           
                           
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                            Paul
                              Cadmus (1904-1999) finely details his model's
                            penises 
                           
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                         "Victory of St Michael" (1958)  
                         
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                      | The postcards don't show you
                        this: | 
                     
                    
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                      | Cathedral of St Michael,
                        Coventry, UK | 
                     
                    
                      | Epstein, being Jewish, would
                        have little experience of foreskins and this (with
                        its folds and lack of a  "spout" c.f. the
                          fountain in the house of the Vetii), is not
                        typical. He  frequently attracted controversy for
                        his nude male sculptures. One, "Day", was allowed
                        to remain on the St James Street Station, 
                        London, only after he took 1.5" (4 cm) off its penis.
                        This may explain a report that one of his statues was
                        "circumcised".  His other work shows males as
                        intact. | 
                     
                    
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                      "Rush of Green" (1959) ,
                        South Carriage Drive,  Kensington, London | 
                     
                  
                 
                Sir Jacob Epstein ( 1880-1959) 
                 
                
                
                 
                
                  
                    
                      
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                           "The New Adam" by Harold Stevenson is huge 
                            (8' x 39', 2.44 m x 11.89 m) 
                            wrapping around the viewer on nine panels. 
                            The reference to Michaelangelo's
                            is clear,  
                            but this is no boy. 
                            The model was Sal
                              Mineo 
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                the Solomon R. Guggenheim Museum 
                  New York 
                  
                
                  
                    
                      
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                           David Hockney's 1967 illustration to C P Cavafy's
                            poems stresses line, rather than shading, giving a
                            flat look to the model's penis, though the sulcus
                            and acroposthion
                            are indicated. 
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                           Conversely Francisco Lòpez's 1973 nude torso is
                            finely shaded, emphasising the penis' dorsal vein. 
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                      Cliff Whiting, Te Wehenga o
                        Rangi r?ua ko Papa (the separation of the Sky Father
                        from the Earth Mother), 1974, National Library of New
                        Zealand Te Puna M?tauranga o Aotearoa. 7.59m x 2.65m 
                        According to the M?ori creation myth, T?nemahuta, god of
                        the forests, pushes up with his feet to separate the Sky
                        Father from the Earth Mother and free him and his
                        brother gods from their parents' age-long embrace. He is
                        flanked on the left by Tangaroa, god of the oceans,
                        Haumia-tiketike, god of wild foods, Rongom?t?ne, god of
                        cultivated foods, and T?matauenga, god of war and of
                        man, who all supported his action, and on the right by
                        T?whirm?tea, god of storms, who opposed it. All are
                        intact, unlike in many other Polynesian cultures,
                        notably the Cook Islands, which portrays Tangaroa as
                        cut, even on its coinage. | 
                     
                    
                        
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                      Rongom?t?ne's penis 
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                      T?nemahuta's penis 
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                      T?whirim?tea's penis 
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                            "Archilochos Alone"  
                            by Michael Ayrton  
                            (1921-1975)  
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                            "Actor (Richard)", painted in 1979 
                            by R. B. Kitaj, has a "peeper",
                              a shorter than average foreskin.  
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                           Josep Maria  
                            Subirachs, 1987 
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                           The crucified Jesus on the "Passion" façade of
                            Sagrada Familia, Barcelona, is intact,  
                            probably not to deny his Jewishness, but because the
                            sculptor and the audience could not  
                            imagine him being different from themselves.
                            (Another famous nude Jesus,  
                            by Michelangelo, is in Santa Maria Sopra Minerva,
                            Rome, but his penis has been vandalised  
                            and is now covered. It was almost certainly
                            portrayed as intact.) 
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                           While the character of Gollum
                              in the film of The Lord of the Rings is
                              almost entirely computer-generated and wears a
                              tiny loincloth that doesn't seem to hide much,
                              oversized models were used by Weta Workshops to
                              help make him so lifelike, and a picture of one in
                              Cinefex magazine shows the artists
                              conceived him as intact, as is a maquette of the
                              Cave Troll in the Lord of the Rings exhibition -
                              as of course they should be (but it wouldn't be so
                              certain if they were made in the US).  
                          Picture to
                              come. 
                           
                          
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                           Mural in the Kaiserbruendl sauna, Vienna, 
                            by Stefan Riedl (Genannt Triebl), one of several 
                            that all (of course) portray intact men. 
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                            English artist John Carter 
                            (1927-2004) takes 
                            intactness for granted 
                            in his Big Catch 
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                            This "Reclining Middle-Aged Man" 
                            by John Willcocks (1934-2021) 
                            has a clearly delineated peeper. 
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                Australian James Gleeson painted both intact and cut men in
                  surrealistic settings ("Psychoscapes"), 
                  apparently based on the models' own anatomy, even in
                  mythological subjects. 
                  Male genital cutting was in decline in Australia during this
                  period, the 1950s-60s 
                 
                - James Gleeson (1915-2008) 
                
                
                  
                    
                      
                          
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                        Pierre
                          (Commoy, 1950- , 
                          photographer) et Gilles  
                          (Blanchard, 1953-, painter)  
                          create highly processed  
                          images, mainly of erotic male  
                          and/or religious subjects.  
                          Their "Matador (Fernando Leonne)"  
                          (1999) sold at Christie's  
                          to a private collector in 2011  
                          for €37,000  
                          (€41,136 in 2021 or $US46,554) 
                          but in 2015 it sold again for only 
                          £18,750 (£20,539 in 2021 or $US27,248) | 
                       
                    
                   
                     
                
                
                  
                    
                      
                        
                         
                        Angela's
                            Men is a gallery 
                          of treated photographs 
                          of intact men, many closeups. 
                          Treatment is commonly a metallic finish, 
                          such as copper.  
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                        Paul Davis Jones of Phildelphia has painted a series 
                          of extreme closeups of foreskins, 
                          "the
Intact
                            Project", coloured to give an abstract,
                          rose-like effect. 
                          He writes, 
                          "AS EACH FORM EMERGED ON THE CANVAS, 
                            THE JOY OF CREATION BECAME ANGER 
                            AS I ASKED MYSELF WHY ANYONE  
                            WOULD CHOOSE TO DESTROY THIS UNIQUE  
                            AND BEAUTIFUL PART OF A MALE'S BODY." 
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                Jonathan Yeo
                    painted two portraits of entrepreneur Ivan
                    Massow three months apart, during which Massow lost
                  three stone (19 kg) and grew a beard.  
                
                  
                  
                
                
                  
                In his book "Uncut: the
                    natural history of the foreskin", Sherwin Carlquist
                  includes a sequence of Annie Liebowitz-like portraits of
                  intact penises in natural settings.  
                
                  
                
                
                  
                  
                
                  
                    
                      
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                           Photographer Dylan
                              Ricci 
                            likes to partially 
                            conceal his models' 
                            faces and genitals. 
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                           Max Patte's oxidised steel 
                            "Solace in the Wind" stands 
                            on the Wellington, NZ, waterfront. 
                            Though undetailed, his penis shows 
                            a corona covered by a foreskin 
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                           "Redemption Song" by Laura Lacey
                            stands 3.3m (11 feet) tall in Emancipation Park, 
                            Kingston, Jamaica. 
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                           "Event Horizon" by British artist Antony Gormley
                            consists of four cast-iron and 27 fibreglass
                            casts  
                            of his own nude body, placed at ground level and
                            poised on the edges of buildings.  
                            It was exhibited in London in 2007 and in New York
                            in 2010.  
                            It may have taught the young man in the green
                            sweater something he won't learn  
                            at Touro College of Osteopathic Medicine. 
                           
                          
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                        | Lost Horizon I in the Royal
                          Academy of Arts, London,  features 24 cast iron
                          images (possibly from the same mould as ''Event
                          Horizon'') of Gormley's own body. The London audience
                          finds nothing exceptional about their intactness. | 
                       
                    
                   
                 
                
                
                
                  
                
                  
                    
                      
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                        "Fallen Angel", Temple of Concordia,
                          Sicily | 
                       
                      
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                        | "Blindfolded Icarus" | 
                       
                      
                        Polish-German artist Igor Mitoraj
                          creates oversized mutilated  
                          torsoes in classical style, but the males are in
                          modern proportions. | 
                       
                    
                   
                
                
                  
                 
                  Maryland artist Michael
                      Dulin uses terra cotta to illustrate the beauty of the
                    intact penis. 
                  
                   
                  
                    
                      
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                        "Lightning Strike" 
                          2015 | 
                        Untitled 
                          (reclining male nude) 
                          2015 | 
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                          "The Lesson (How To Be 
                            A Man)" 
                            2017 
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                    Philip Gladstone of Maine (1963- ) paints and draws largely
                    allegories and self-portraits,  
                    frequently nude and always intact. 
                
                  
                Back to 1.
                      Classical Antiquity 2. Pompeii
                    3. Renaissance 4.
                      Post-Renaissance   
               
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